Comrade Courant Culture Critic

The Dark Half (1993): King's Doppelgänger Nightmare Gets a Gothic Makeover "A slow-burn psychological horror that prioritizes atmosphere over scares, anchored by Romero's eye for the grotesque." — 3/5 Stars The Dark Half (1993) review: In an era when studios are finally mining Stephen King’s deeper cuts for fresh horror, it’s worth revisiting George A. Romero’s The Dark Half —a film that was ahead of its time in its psychological ambition, if not always in its pacing. Based on King’s 1989 novel (itself a thinly veiled reflection of his “Richard Bachman” pseudonym), the film explores the terrifying notion that the darkest parts of our creativity might not stay on the page. It’s a gothic, atmospheric, and deeply strange work—flawed, yes, but genuinely haunting in its best moments. Timothy Hutton stars as Thad Beaumont, a literary novelist whose violent crime thriller...

  'The Monkey': A Delightfully Twisted Take on Stephen King’s Cursed Toy "Osgood Perkins delivers a darkly comic, surprisingly heartfelt horror that defies expectations—and makes a killer toy feel fresh again." — 4/5 Stars For fans of Stephen King’s stranger tales and those who appreciate horror with a wicked sense of humor, The Monkey is a rare adaptation that not only honors its source but elevates it. I went into The Monkey with cautious curiosity—after all, how do you turn a wind-up toy that claps cymbals into a credible engine of terror? Yet Osgood Perkins pulls off the near-impossible: a horror film that masterfully blends pitch-black comedy with genuinely gruesome set pieces, all anchored by emotional depth and razor-sharp direction. Far from a gimmick, this cursed monkey becomes the beating (and clapping) heart of one of the most inventive King adaptations in year...